DEDE ERI SUPRIA. Born in Jakarta, 1956. Education: 1975-1977 – Studied in Academy of Art “ASRI” in Yogyakarta. Solo Exhibitions: 1979 – Solo Exhibition at Taman Ismail Marzuki, Jakarta / 1981 – Solo Exhibition at Taman Ismail Marzuki, Jakarta / 1985 – Solo Exhibition at Taman Ismail Marzuki, Jakarta / 1988 Solo Exhibition at Taman Ismail Marzuki, Jakarta / 1992 – solo exhibition at Ministry of Education and Culture Building, Jakarta / 1997 – solo exhibition “Into the Labyrinth”, Jakarta Stock Exchange Building, Jakarta / 2002 – solo exhibition “Concerning Change”, at Artfolio Space, Singapore. Group Exhibitions: 2005 – “Aku, Chairil dan Aku”, Nadi Gallery, Jakarta; CP Open Biennale “Urban Culture”, Jakarta / 2006 – China International Gallery Exposition, China World Trade Center, Beijing, China / 2007 – “Imagine Affandi”, Gedung Arsip Nasional, Jakarta; Shanghai Art Fair International Contemporary Art Exhibition, Shanghai, China; Art Singapore 2007, Singapore / 2008 – China International Gallery Exposition, China World Trade Center, Beijing, China.
Alamat :
Jl. Soka Lestari 2 F 24, Lebak Bulus Jakarta Selatan
Jl. Musik Raya L-4, Kelapa Gading, Jakarta 14250
-
- URBAN CLASS
-
- LABYRINTH-4
-
- ABBEY ROAD
-
- ANDY WARHOL
-
- BECAK DRIVER
-
- BECAK BALLAD
-
- CLOWN ATRRACTIONS
-
- AMONG STEEL
-
- CONCRETE JUNGLE
-
- LABYRINTH-5
-
- WAITING
-
- PIGEON REINCARNATION
-
- SELF POTRET
-
- READY TO ACT
-
- TRYING TO GROW
-
- SUPERMAN
-
- SURVIVOR
-
- KEBYAR DANCE
-
- FLY
-
- THE HORSE RIDER
JENDELA HISTORIOGRAFI 
2 Comments
Lovely web-page, nice lay-out and good selection of images!
It has been a great pleasure and interest, to follow his work over the last three decades.
Dede’s work has led me to publish research / reviews of Mr. Dede Eri Supria’s work in the past, including in my book (Oxford Univ Press, 1994).
Now I am looking for an up-to-date email address for him – can you help me out with this? You can email me directly and privately at: astri@uvic.ca
Professor Astri Wright
University of Victoria
BC, Canada
Afterthought: since you use the word ‘historiografi’, it would improve the presentation of artists’ work if you include historical details, as art historians and curators do: include the title and the year (and if you can get it, the dimensions) of each work. Without that, the work is ‘floating’ in a-historical space…